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battle for sound space

by eli

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1.
2.
silver river 00:58
3.
rematch 06:00
4.
engineering 04:00
5.
break 00:56
6.
7.
bloody 04:17
8.
panic attack 10:48
9.
10.
scary 05:25
11.

about

The war between audio signals was not in a hurry to end, a revenge was needed The audio "digital war" began with the fact that the speed of sound transmission increased dramatically, the waves moved to sharp jumps — diagonals were increasingly encountered, so that the live broadcast actually trembled from the rumble of sound vibrations. Technology has grown to the point where vibration causes "frequent ejection of sound needles" - a cascade of microsecond sound pulses. Often these pulses reached surprisingly high frequencies. A psychodynamic system of attack on human consciousness was created, and sound vibrations and waves took on a human form. The wall of sound vibrations became mobile: the vibrations became higher, then lower, then stronger, then weaker. The creation of the "sound profile" involved all the information about the lifestyle of people necessary for the harmonization of the overall sound organism. But gradually it turned into a war. First, it became obvious that the noise constantly distorts the meaning of events and their very nature, distorts them adequately, and not as usual — this caused a disagreement, which caused the system to crumble like the Tower of Babel. Secondly, it was found that the sound vibration is not eternal, and the louder it was, the quieter it became. Because of this, a split arose, and both sides fiercely began to bombard each other with sound flashes and discharges. Third, it turned out that the vibration of a person determines his worldview, and people began to approach each other in order to destroy the sacred sound vibration. As a result, there was a mixture of cultures, a decline in spiritual pursuits, and people were completely unprepared for this. Finally, the concept was put forward that the source of sound is the brain, as the carrier of true vibration. This became another link in the split, because to understand what reality is, it was necessary to use a figurative mechanism, and not words, when a person begins to understand what exactly he is. The war of sounds solved this question.

This album, written with the help of sound programming systems, is the second part of a series of "digital sound wars" - the last in this series, not directly related to the human brain, can cause relatively small destruction if you use a specially created sound simulator that works in the infrared range. It can cause global radiation and a large acoustic load on entire areas of the brain hemispheres.

Enjoy your listening experience!

credits

released January 9, 2020

sound programming & edit: elias adams

license

all rights reserved

tags

about

eli Moscow, Russia

an eccentric contemporary artist and composer. His music is very dark, often philosophical and mysterious. Nevertheless, he is familiar with a number of modern spiritual and world trends and is able to conceptually go beyond the narrow "author's" context, while maintaining its objectivity. ... more

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